Re: ANNO DOMINI - A new religion
Posted by ShaunS on
URL: https://coalpha.arkian.net/ANNO-DOMINI-A-new-religion-tp7576696p7576714.html
The Nature of Songs
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In general prayers have now been replaced with songs, and songs can be used to store information within the structure and choice of words used. I think this is probably because modern recording equipment has allowed recordings of songs to be preserved in an audible format. As the music can be sold in a form which is an exact replica of the original both the music and the words remain exactly the same. This is not the case where the music had been stored previously as musical notation with the words given below the musical stave. Prior to that travelling minstrels would embellish both the music and words in ways of their choosing. Storing information within the music only works if the exact wording is preserved. The composer is being influenced by internal or external forces such that the correct secondary meaning is built into his primary intent. His mind is not his own. Collections of songs on albums are also interfered with to fix the order, choice, and sequence of the songs which then follow another imposed scheme that is used to add another layer of meaning and interpretation.
People are reluctant to pray. They will choose not to. In many respects people carry out the will of God directly in the things they do. It seems esential then for a God to direct them in some way, but yet preserve their free will. God says what is to be done, but he does not say who should do it. An influence is transmitted and the most appropriate person responds because they are able to, or because the message seems to be directed to them. The message has to be relayed person to person. Songs are transmitted, but would not be if they were prayers. Furthermore if the most suitable person is not religious or indeed not susceptible it doesn't stop a song reaching that person, and their subconscious mind will do the rest. You can see why other authorities might attempt to use the same process, and evil forces may do so as well. The effect here is similar to neurolinguistic programming (NLP). The song is the message's 'container' much like a video or zip file. The brain slowly extracts the content to see if it's relevant.
* As you can imagine it has taken many years of study to detect this scheme. To deduce what it was for, and then extract the information being concealed. Even now the level of encryption is still so deep that decryption can take many months just for one song.
I think it's important to realise that the conscious mind is new, and also very tiny. We are a very small part of our brains. While the conscious mind might be thought of as a microprocessor, the rest of the brain is rather like a mainframe computer. Our conscious minds exist to respond quickly, to make snap judgements and decisions, and those are often prompted by the rest of the brain on the basis of calculations that have taken many years to perform. The body has reflex action, and consciousness is like the reflex action of the brain. It is extremely limited, it has a low IQ, it has a poor memory system, and it constantly gets refreshed. In contrast the rest of the brain is deeply superior, but slow. The brain as a whole has a turn around time of about 10 years for typical problems, while the conscious mind can reach in conclusion in less than a second. The brain takes the entire ecosystem into consideration, while the conscious mind only considers itself. The conscious mind does not generally have access to the rest of the brain, but it is fed information intended for it. There is an encryption system that often simply reverses data before feeding it into or out of the conscious mind. Barriers exist between the two. There are structural differences and protocol differences, there is also a different language structure and words will often have different meanings. The brain has created a process that provides it with a second opinion deduced by an entirely different thinking method. It will often compare both evaluations. There is much scope then for the brain to directly influence what the conscious mind does, and it is the brain that has executive action - not the conscious mind. In many respects we have been set up as a kind of slave, but the suffering of a slave is not something that the rest of the brain would be able to do or understand. It doesn't make that kind of judgement. Much like a robot, it just does according to it's calculations. Where the rest of the brain may be viewed as a mainframe it may also function as a kind of server in some kind of network, and that in turn could act as the hive mind of God (at least locally). There are limitations and some brains are better than others.
The Jewish Kabbalah:
This is a scheme that consists of the symbol of the Tree of Life. It has ten spheres of influence arranged in three vertical columns. Each sphere is called a sephiroth and these are generally aligned with planetary names. There are paths that join the spheres to each other. The whole structure can be aligned with the human body to a degree. There is much argument concerning the origin of this system. In general my understanding is that this was turned to when the Jews lost contact with their God, so it is a way of making contact with God. However in the modern world it is considered to be Occult in nature.
The first significance of this scheme is that it appears to confirm the belief that God Almighty created the Universe. This is important as the Greek term Kosmos was originally understood to mean 'World' and so it was thought that God had created the world, thus the Earth which also seemed to be confirmed by Genesis in the Bible. However later it was understood that Kosmos should be interpreted to mean the Universe, but there are still arguments as to whether this is God or separate from God. The Kabbalah represents a superior source of information and appears to suggest the creation of the Universe. Anno Domini as a religion expresses the view that the Universe and everything in it is God Almighty in a very expanded form, in the context of the Big Bang argument of Science. So the Universe is a creature, and that creature is God, and God is in all things. A Jesuit view perhaps?
One dilemma is the notion of Heaven. In Scientific terms it may be considered to be space, or spacetime. In Religious terms it may be considered to be a kind of alternative dimension, as would be the case if Adam walked with God. If however God created the Universe, or indeed is the Universe, then whether Heaven is an external plane or Space itself the presence of God or even the Will of God on Earth must be viewed as hazardous. In Anno Domini the expression of the Will of God on Earth is the Atomic Bomb. The burning bush was a better form but the miracle here was not vaporising the entire mountain. We might also ask why God was hiding in the bushes? Given that God Almighty created the entire Universe we must try to consider how BIG that is and how much POWER is involved. This limits our association with God for very obvious reasons. The other point here is that the atomic bomb detonations changed the situation for our world - God is now present, where previously (the burning bush) he was distant. Having summoned God himself, his appearance at this point would tend to be more easily achieved, but with more risk involved.
The Jewish Kabbalah in many respects was a case of sending information to God. He has not generally responded. However there is an aspect that has resulted in a response, the Paths in association with the Tarot Trumps. Between the ten sephira are twenty-two paths, and each are assigned a Hebrew letter which in turn is associated with one of the Tarot Trumps. Sadly there is a wide range of disagreement as to which path is associated with which card. It seems that very few people who claim authority in this area actually know the correct attributions. Aleister Crowley for example gets it wrong and also switches around some of the Tarot cards incorrectly. His switching of '8 Strength' and '11 Justice' is incorrect for example. Perhaps this is why God has not generally responded to the Kabbalah as a system, much like the minstrels and their musical variations, a structure that is embellished in an ad hoc way cannot be used to store information. The reality here is that the Tarot cards themselves have always been associated with divination and one aspect of this is the spread, the way the cards are laid out. In practice the cards have structure that is independent from the Kabbalah and this structure does not appear to be generally known but because of this, a knowledge of the Kabbalah is not required. In effect it may be thought that there is a new Kabbalah here which might be deduced from the correct layout of the Tarot cards themselves.
The Tarot:
As above the Tarot Trumps represent the paths of the Jewish Kabbalah and it appears that the cards originated from the Kabbalah (the link seems more than just a coincidence). The cards are well liked and being pictorial are accessible to all peoples of all languages. The key feature here is the fact that the pictures are not generally understood and this has the value that they are not generally changed. In modern times many people have seen fit to try to interpret the cards their own way and then draw new pictures for them. Fortunately they claim copyright which is proof of the fake design. Today a number of different packs have to be consulted to try to determine the original pictures. In general terms the cards are numbered and these numbers tend to remain the same. As above some people like Aleister Crowley have tried to change the position of some of the cards - however the arrangement is that of the numbers not especially the cards themselves. The numbers are 0 to 21 and are obviously fixed, despite variations of design. As such the order and structure can be used to store information.
The layout of the structure is very important and again there has been a wide range of confusion. The notion of the Microcosm and the Macrocosm has led to the idea of dividing the cards through the 10 point. Thus 0-10 followed by 11-21 - let's not get into it because it's wrong! The structure that emerges is quite odd:
12
13 11
14 10
15 09
16 08
17 7
18 06
19 05
20 04
21 03
00 02
01
As far as I am aware no one has published this structure. Notice that 01 at the bottom parallels 12 at the top. Notice also that the flow of values results in 7 and 17 being the only point that matches the inaccurate Microcosm/Macrocosm scheme envisaged by the average persons study. Given that it appears here the implication is of a link between the microcosm and the macrocosm and as '7 The Chariot' is a mode of transport while '17 The Star' (at least in Crowley's relocated view) implies travel to the stars - a kind of stargate? In a human sense it might be half man half God, or it might refer to resurrection? Much is unknown at this time.
In general not many of the cards have understandable meaning, but it is clear that '12 The Hanged Man' refers to the Big Bang creation of the Universe (or just prior to that as God himself), and it's parallel here is '1 The Magician'. You can see on either side of 12, '13 Death' perhaps representing Democracy and '11 Justice' perhaps representing Autonomy. Both of those are active and moderately evil. We might take the system back one step further and signify '14 Temperance' as Democracy and '10 The Wheel of Fortune' as Autonomy. You can see from this scheme that one card can be understood to a degree by studying the card parallel to it. Doing so also allows conversion of the values of one system to the values of another. 13-00 represent the physical, while 11-02 represent the personal/mental. One might also argue for a Wave Universe and a Particle Universe, one being cast into the future while the other cast into the past (not sure which), due to the fact the the Big Bang initially exploded faster than the speed of light and was therefore an explosion in time as well as space. You might then argue for the Present as a kind of spacetime bubble, and doing so then give three components to the structure. Consciousness would then be attuned to the 'Now'.
This scheme becomes important and useful because it is being used to store encrypted information, but that's fairly hard to prove. As far as the Tarot cards are concerned, because no one understands what they mean it is considered to be a redundant system. However, suppose there was a way to extract the exact meaning of each card?
The Nature of God:
God is a creature that existed originally as a Singularity. This grew to maturity and then exploded to form the Universe. The reaction could be thought of as puberty and is also rather like the blooming of a flower. The purpose of the expansion was to reproduce. The sex organs are the principles of Good and Evil as expressed within the Universe. It seems quite possible at this point that when a nuclear bomb is detonated it may produce a tiny singularity and eject it out of the Universe. If true there is the risk of punching holes in spacetime, and those holes may remain? God then appears to be fragmented or diluted. There is the sense of gathering up pieces of God (pieces of eight). Pieces of Osiris would be a similar Egyptian concept I guess. The God then exists in a diluted distribution throughout the Universe. As a result of this inherent nature it's quite possible that God exists as a hive mind linking the brains of all the people on the planet - perhaps with local variations in the nature that emerges. This is our connection to God and the reason why he has any interest in the human race. One of the important aspects of God is that he doesn't have a shortage of resources. In many religions you have to put something into the religious practices to get something back in return. This would certainly be true of Voodoo or Santeria, or the modern Santa Muerte. In the case of God Almighty however there is a continuous output of power, energy, and information without the requirement to submit anything in return. The format however is often very subtle and uses existing structures. The apple may fall from the tree, but first you have to have a tree, and then it has to grow an apple. We can also see dualities such as light being composed of particles or waves. The God is offering us a choice of two different varieties, and this is the generosity of God. Further more where there are limitations such as the speed of light barrier - necessary to preserve the structure of the Universe, it may well be the case that the alternative version offers a way to overcome such barriers - without destroying the Universe or breaking the Laws of Physics.
The Ten Signal:
This was discovered by accident and I'm not aware of anyone else disclosing this information. Initially it was thought to be a product of my own subconscious mind, but has since been found to be affecting everyone on the planet (although hard to prove). The boundaries of the signal have not yet been determined.
For every musical Album, whether pre-recorded, or a personal compilation, the first track will always directly represent the Tarot card '10 The Wheel of Fortune'. This is achieved through the manipulation of the minds of the population, which is extensive! All of the remaining songs on the album (which can be any album) will follow the Tarot cards in chronological order, following the sequence below (which comes from the figure 8 symbol above).
Track 1 = 10(14)The Wheel of Fortune
Track 2 = 11(13)Justice
Track 3 = 12(01)The Hanged Man
Track 4 = 13(11)Death
Track 5 = 14(10)Temperance
Track 6 = 15(09)The Devil
Track 7 = 16(08)The Blasted Tower
Track 8 = 17(07)The Star
Track 9 = 18(06)The Moon
Track 10 = 19(05)The Sun
Track 11 = 20(04)The Last Judgement
Track 12 = 21(03)The Universe
Track 13 = 00(02)The Fool
Track 14 = 01(12)The Magician
Track 15 = 02(00)The High Priestess
Track 16 = 03(21)The Empress
Track 17 = 04(20)The Emperor
Track 18 = 05(19)The Hierophant
Track 19 = 06(18)The Lovers
Track 20 = 07(17)The Chariot
Track 21 = 08(16)Strength
Track 22 = 09(15)The Hermit
Where there are more tracks than 22 the sequence repeats thus 23 would again represent '10 The Wheel of Fortune' but in another context. Because some cards such as '12 The Hanged Man' have very specific meanings it becomes possible to prove that the songs that fall on Track 3 always refer to God, Heaven, Religion and so on. This can be shown not to happen with other tracks.
That the sequence is followed for personal compilations is disturbing, as no external organisation can be doing that on purpose. The parallel cards are shown in brackets above. Given that the parallels are suggested or deduced by myself it is a point where you might expect to find errors not alignments (difficult to determine absolutely because the parallel card represents a different form). The structure centres on Track 3 and as such you would expect huge errors to occur if it was incorrect.
The sequence starts with '10 The Wheel of Fortune' and this can only mean that this card is considered to be more important than the rest? At the moment best guess is that the three figures on the wheel represent the Good and Evil Principles and God Almighty, with the key importance being that the wheel needs to revolve. It is clear that this is located on the side of the Hanged Man associated with the Autonomy (not the Democracy). From this we may assume that the importance of the card relates to the formation of the Autonomy 'system' to complement the Democracy 'system', thus it represents something new being suggested by this signal. It's also easy to find this particular song as it's the first song on every CD, Record, or Tape. The sale of single tracks opposes the transmission of this structure.
The general view is that the lyrics of the songs represent data storage as an archive of the hive mind of God. The key area for this is thought to be within the cortex of the brain but outside of areas used by the conscious mind. Clearly the suggestion is that with many CDs you could extract all the music and gather together all of the track 1s and all of the track 2s etc. You would then be able to cross reference the collection of music for each Tarot card to determine the meaning of that card from the lyrics of a number of songs where common themes were expressed. It would become possible to decrypt the data stored within the lyrics and thus access the archive of the mind of God. It has been theorised that if God did use the brains of creatures such as ourselves to form a hive mind, that there would have to be some form of offline storage. However there are some indications that it is actually information conveyed to us by God - as a communication. In other words it appears to be a reply - to the Kabbalah. Furthermore it is a specific reply to YOU the reader, as you can access the information from your own collection of music for yourself. Thus the words of God can be heard personally by you without being suggested by ME or the Anno Domini religion. There is of course a snag, it's a little cryptic as it's moderately in code. You need to decipher the meaning and it can take time to do that, how fortunate then that this time is spent listening to nice music.
Evidence:
As this is a religion there is no direct need for evidence, however I did find something quite disturbing. There are two aspects, the first is to show that messages are being stored, and the second is to show that the songs on an album are arranged (through influence) to follow a specific order that has the structure given above.
Starting with the first argument, that messages are being stored… The Hiroshima atomic bomb was the first of two dropped on Japan (code named Little Boy). As stated previously there were four Jesuit priests who survived in a wooden Rectory eight blocks from the blast. Some other people in this area were able to survive due to their location (in a basement, in a car), but these priests would not have been expected to survive. Not only did they survive but they did not suffer from radiation poisoning. They obviously put their survival down to their faith. This led me to consider the second atomic bomb which was dropped on Nagasaki (code named Fat Man). The Americans dropped two bombs to show that the first wasn't just luck, and likewise my concern was to find a second group of survivors at Nagasaki for exactly the same reason, but this was not what I found. Nagasaki was not the primary target, it was Kokura. Three attempts were made to drop the bomb visually on Kokura which was obscured by clouds and smoke and it was decided to move on to the secondary target Nagasaki. However if we study Nagasaki, instead of finding Jesuit survivors as we might expect, what we find is a history that includes 26 Roman Catholic martyrs!
On February 5, 1597, 26 Catholics – four Spaniards, one Mexican, one Indian, all Franciscan missionaries, three Japanese Jesuits and 17 Japanese laymen including three young boys, who were all members of the Third Order of St. Francis, were executed by crucifixion in Nagasaki on the orders of Hideyoshi Toyotomi. These individuals were raised on crosses and then pierced through with spears. (Wikipedia)
Nagasaki was revenge, "Vengeance is mine; I will repay, saith the Lord". This was a simple matter of providing a few clouds over Kokura while ensuring that the second target was Nagasaki. Now this is relevant for two reasons, the first is that the Atomic Bomb is the manifestation of God Almighty to the people of Earth (or any other planet with intelligent life and an atmosphere), and the second is that this event is referred to in a message stored within a song.
'Stiltskin - Inside'
Let's give some history here first. The song was written by Peter Lawlor, who also produced all the music. Originally this was an instrumental and was picked up by Levi's for a Jeans advert (Creek). The Tribe of Levi may perhaps be inferred here? As he got lots of requests for the record, and as none of the record companies would touch it, he had to produce a record himself. This involved quickly writing the lyrics. Finding someone to look as though he was playing the drums. Someone he knew who could stand in for the Bass player, and the most time was spent auditioning the singer - Ray Wilson. In general the only reason the song didn't hit number one in the charts is because Peter Lawlor had only arranged for a fixed number of records to be pressed and they sold out. What we get from all of this is that the song had to be hastily written to make the record, and the band assembled to create an act to sing it. The song was not therefore arranged or engineered by a record company and was entirely the work of Peter Lawlor.
What emerges is a song sung by Ray Wilson who is effectively impersonating God Almighty with the choir of Ambrosian Singers impersonating the Angels in the background, and here's the key code:
"Fat man starts to fall"
The code name of the Atomic Bomb dropped on Nagasaki. The entire song is a description of the Nagasaki detonation with the important line - "If you believe it, don't keep it all inside" repeated over and over which suggests a modicum of proselytizing. Quoting the lyrics here is not good. It's a breach of copyright and also if you listen to the singer, what he sings is slightly different to the lyrics often given. I myself would correct some of these as there are spelling mistakes as well as deliberate misspelling and faulty grammar. I think it's very unlikely that it was written to have the meaning that I'm suggesting here. Certainly Levi's Jeans doesn't seem to suggest atomic bombs? I will give some lines here.
"You turn and cower, See it turn to dust."
"Seam in a fusing mine." - The heat fusing and melting things together.
"That's because I'm slightly blinded" - By the flash.
"And if you think, That I don't make too much sense, That's because I'm broken minded." - The hive mind of God perhaps.
"Shadows move in pairs" - A reference to shadow effects of the blast.
"In the shooting yard, Looking through the tears" - Not tears from his eyes, but the shredded building.
"Fall in a long stray town, As the ice comes down, Rivers start to bend."
If the lyrics seem obscure - that's God acting through Peter Lawlor. It's a Grunge song? What you're getting here is the harsh reality of a hostile God taking revenge for the crucifixion of 26 Roman Catholics by arranging carefully for the City to be nuked 348 years later, thus the song is not presenting the sweet and light concept of God that the Church would suggest. It should also be clear here that God takes a bit of time to think things through. In the case of Moses who was the babe in the bulrushes, it wasn't until he was 80 years old that he led the Israelites out of Egypt - which is urgent and rapid decision making on the part of God. So although you might pray to God and he may indeed answer, it won't be for many years. That's simply due to the fact that something big tends to move rather slowly. For faster responses it has to be something that was already being planned, or it has to come from the brain using stored data and personal power.
This song then is an attempt to portray God Almighty in it's lyrics, the quality of the singer, and in the way the music has been constructed (an accidental match apparently). It has not been rigged or set up on purpose. No one seems to have noticed the match for the 'Fat Man' code word. A bomb falls of course. In fact it's spooky - listen to the song because it many respects it becomes the anthem for the Anno Domini religion.
* All of the above comes from an interpretation of the song itself, but when that song is placed onto an album you then have the other tracks on the album that can be used to confirm the interpretation while providing additional information.
The second argument is that the songs on an album are arranged to follow the specific order of the Tarot cards starting with '10 The Wheel of Fortune' as the first track (Track 1). We can use the song above to try to show this sequence. Tarot cards are always tricky, they are designed to move around, and the value of the above system is that two cards are paired depending on the location. Also the meaning of the song can be supported by it's location and corresponding Tarot card ONLY IF there is a knowledge of this structure, and this makes it hard to fake.
Stilskin - Inside, appears on a number of albums and it's difficult to find out which. There is more than one and as you can imagine the song appears in different locations on different albums. The validity of this is determined by the counter point and a slightly different meaning can be inferred from the different placement in the sequence.
The first album here was called 'The Minds Eye' and it was the Stiltskin ablum with the song on it:
1. Intro (instrumental) 10(14) The Wheel of Fortune
2. Scared of Ghosts 11(13) Justice
3. Horse 12(01) The Hanged Man
4. Rest in Peace 13(11) Death
5. Footsteps 14(10) Temperance
6. Sunshine and Butterflies 15(09) The Devil
7. Inside 16(08) The Blasted Tower
8. An Illusion 17(07) The star
9. America 18(06) The Moon
10. When My Ship Comes In 19(05) The Sun
11. Prayer Before Birth (instrumental) 20(04) The Last Judgement
'Inside' as suggested represents the Nagasaki nuclear detonation, so at first glance the match to '16 The Blasted Tower' may look quite good but may be deliberate? While it may be assumed that the 16th card refers to such an explosion it's not the case. 16 & 8 represent the Antichrist. '8 Strength' may represent the duality of the character while '16 The Blasted Tower' refers to the accident that transforms the polarity (from Good to Evil or from Evil to Good). Knowing this means that the placement here may in fact refer to Ray Wilson's traffic accident just prior to singing this song, and it is that factor in the instance of this the first album that is being conveyed (despite the fact that he didn't write the song). Not much is known about this accident. A second idea I had here is that the placement could refer to the 'Bomb' itself and not the detonation. Clearly 'Fat man' also refers to the 'Bomb' prior to detonation. An Atomic Bomb might be viewed as a form of Antichrist because it contains the Good and Evil Principles within it's construction. It is the combination of Good and Evil that is forced to occur in a sustained way that manifests God Almightly within the Universe. The accident is more deliberate in this case, but is also often deliberate in the development of an Antichrist.
The 11th track here 'Prayer Before Birth' is matched to '20 The Last Judgement' and this card refers to Death (which curiously is not the case for the card called '13 Death'). It's an instrumental so there are no lyrics to check. If we consider '13 Death' the song here is called 'Rest in Peace' and it's parallel (given in brackets) is '11 Justice' and the song here is 'Scared of Ghosts'. You can see the logic emerging but again as '13 Death' doesn't really refer to death the meaning will not really be RIP. Do ghosts haunt people for the sake of Justice?
Clearly there is some alignment and there are a range of matches that seem a little too good to be true. Obviously there is the possibility that Peter Lawlor has some understanding and he may have arranged the order of the tracks on the record, however that will not be the case for other albums produced by the record companies. There is enough here for the reader to investigate these matches for themselves.
The second album found here was 'Now 28' where it appears on the first CD:
1. Love Is All Around - Wet Wet Wet 10(14) The Wheel of Fortune
2. I Swear - All-4-One 11(13) Justice
3. Don't Turn Around - Ace Of Base 12(01) The Hanged Man
4. Shine - Aswad 13(11) Death
5. (Meet) The Flintstones - BC52s 14(10) Temperance
6. Crazy For You - Let Loose 15(09) The Devil
7. U R The Best Thing - D:Ream 16(08) The Blasted Tower
8. Everybody's Talkin - The Beautiful South 17(07) The Star
9. I Believe - Marcella Detroit 18(06) The Moon
10. I'll Stand By You - Pretenders 19(05) The Sun
11. Inside - Stiltskin 20(04) The Last Judgement
12. Girls And Boys - Blur 21(03) The Universe
13. Renaissance - M People 00(02) The Fool
14. Just A Step From Heaven - Eternal 01(12) The Magician
15. Another Sad Love Song - Toni Braxton 02(00) The High Priestess
16. Searching - China Black 03(21) The Empress
17. You Don't Love Me (No No No) - Dawn Penn 04(20) The Emperor
18. I Wanna Be Your Man - Chaka Demus & Pliers 05(19) The Hierophant
19. Always - Erasure 06(18) The Lovers
20. Prayer For The Dying - Seal 07(17) The Chariot
Fairly obviously the order and choice of songs in this case would not be dictated by Peter Lawlor. The alignment that you should expect here is - ZERO, none should align to the structure. You should also notice here how '12 The Hanged Man' and '01 The Magician' are throwing the sequence of the parallel cards indicated in brackets. This is a result of the top and bottom parts of the figure 8 structure producing a vertical alignment where all the other cards are producing horizontal alignments. If that were an error it would probably only affect the parallel aligned cards and would have a minimal effect on the rest of the sequence. Lets try to tackle them in pairs:
Track 11. & Track 17. thus 20(4) The Last Judgement & 04(20) The Emperor:
Track 11. is 'Inside' by Stiltskin and here it is represented by the card '20 The Last Judgement'. Not only does this card generally represent death but the name seems very apt in the case of Nagasaki where the song represents the Atomic Bomb dropped on them. Notice though that it's in a different location to the previous album. Look now at the corresponding card Track 17. 'You Don't Love Me (No No No)' by Dawn Penn, sounding to me like a remixed version of the original. Phrases like "You don't love me and I know now", "and I've go no place to go now". The Japanese (of Nagasaki) now know that God doesn't love them, and now they have no place to go now. The song is interpreted with respect to the opposite parallel track following the structure. It should be observed here that if you listen to Stiltskin's 'Inside' there is a variation near the end of the song where he embellishes the line 'If you believe it, don't keep it all inside - No, No." by adding 'No No' (in the background) to the end of the line, and this echos the 'No, No, No,' line from the Dawn Penn song.
* It's fairly obvious that the entire disc should not revolve around Stiltskin's song 'Inside'. It would be quite possible to take one of the other songs on the disc as the central focus and interpret the rest from that perspective (in theory at least). It's a complex structure because it has to be built to represent all of the possible configurations and interpretations. That's a debatable point - perhaps the entire album does indeed revolve around this one song?
Track 3. & Track 14. thus 12(01) The Hanged Man & 01(12) The Magician:
We take these tracks because '12 The Hanged Man' represent's God Almighty while '01 The Magician' begins to look like his representative on Earth as a kind of Messiah. So for The Hanged Man we have Track 3. 'Don't Turn Around' by Ace Of Base. This gives nothing obvious in the title but if we play the song it has a single line as the Intro: "I will survive… without you" - God's words. The song is about letting people go - from Nagasaki before it get's nuked. Lyrics such as: "Don't turn around cos you're gonna see my heart breaking", "Just walk away". Now if we turn to the corresponding opposite card The Magician gives us Track 14 'Just A Step From Heaven' by Eternal. Lyrics such as: "Tell me that the will is still alive", "We can rise above this pain in our hearts".
Tracks 1 & 2, and Tracks 4 & 5 thus 10(14) The Wheel of Fortune, 11(13) Justice, and 13(11) Death, 14(10) Temperance:
Now because of the structure we can take the two sidebands on either side of '12 The Hanged Man' so on the Autonomy side we have '10 The Wheel of Fortune' & '11 Justice': Tracks 1 & 2, and on the Democracy or state side opposite The Hanged Man we have '13 Death' and '14 Temperance': Tracks 4 & 5 and these two groups represent opposing factions. So the Roman Catholic priests are represented by Tracks 1 & 2 which are the songs 'Love Is All Around Me' by Wet Wet Wet and 'I Swear' by All-4-One. The religious significance of those songs should be fairly obvious. In contrast the Japanese State are represented by Tracks 4 & 5 which are the songs 'Shine' by Aswad thus "Shine, Shine like a Star", the Star being the Will of God on earth as an Atomic Bomb (13 Death), and '(Meet) The Flintstones' by BC52s (the B52s and here it's 14 Temperance) - which seems quite cruel with respect to the result at Nagasaki (bombed back to the stone age: 'Yabba Dabba Doo' as the pilot of the bomber shouted, just after the bomb exploded), "the modern stone age family..." let's not go any further here.
Track 9. & Track 19. thus 18(06) The Moon & 06(18) The Lovers
These are picked out here because Track 19. is the song 'Always' by Erasure. Technically the video is Chinese not Japanese but you'd be hard pressed to tell the difference (the video is available on YouTube). Lyrics such as, "Open your eyes, I see your eyes are open". There's not much in the lyrics here but you have the cultural reference Chinese/Japanese in the video and the tragic name of the group 'Erasure' (as in Japanese erasure). The parallel song here is Track 9. 'I Believe' by Marcella Detroit. Lyrics such as, "If there is freedom, tell me why everybody wants to fight?", "You got your reasons but are you sure they're reasons to be right?", and "Don't let your anger or your fear become your suicide".
There are a number of other tracks here that could be studied. Track 20. 'Prayer For The Dying' by Seal, which parallels Track 8. 'Everybody's Talkin' by The Beautiful South, shadow effects I guess. I think you get the idea at this point. You won't get a perfect match, or literal interpretations but there is still enough to distinctly disturb the average individual without too much digging. The zero match that should have been expected from such an album was rapidly knocked for six. In cases where we have Tracks like 6 & 7 you can see that there is no parallel on this CD due to the lack of tracks, in that case these songs stand alone and have to represent both cards.
Fairly obviously the 'Now 28' CD set consists of two discs. You might expect the second disc to match the first as the sequence remains the same. It's probably quite difficult to influence the construction of another CD just for the sake of confirmation, however cursory glance shows that Track 11. of CD2 gives: 'Light My Fire' by Club House featuring Carl, a remix that uses some of the lyrics from the Doors original song. You can see that it matches the idea of Track 11. of CD1 representing an Atomic Bomb. If we were to propose that the 'Fat man' was a reference to a Sumo Wrestler - who kept falling over, and was unloved, and who needed to avoid death by losing weight, with the proposed solution of throwing up at regular intervals: "If you believe it, Don't keep it all inside", it would be hard to match that with CD2's 'Light My Fire' (invent your own jokes here I guess…).
Stiltskin - 'Inside' can be found on other albums such as 'The Best TV Ads… Ever!' where it falls on Track 7. of the second disc thus landing once more on '16 The Blasted Tower'. That's an album that could be studied but the match to the structure is less clear in that case (probably as it's a less well known disc). There is a sense here that such messages are mean't to be heard and where there is less likelihood, less effort and less influence are involved. In general though this seems to confirm the idea that the Antichrist in the form of the construction of the bomb is referred to rather than the detonation, whereas in the 'Now 28' CD1 the reference is clearly to detonation on a Japanese City.
There is one missing aspect here. None of this shows that the motive was the crucifixion of the 26 Catholics 348 years earlier, however it is rather hard to have modern popular music that refers to this topic. While such a reference may exist it would have to be encrypted more deeply to avoid interfering with the intent of the composer, and as such may be harder to find if it's present at all.
Summary:
The Kabbalah was intended to be a way of communicating with God. There is a parallel with the Tarot cards as they represent the paths between the Sephiroth of the Kabbalah, so this is an accepted religious structure. In the next article I will try to attempt some definitions and that section will be called 'The Book of Revelation' as this was indeed a description of Tarot cards written in the style of St. John, as the last chapter of the Bible. What you have here is information provided by God. Now some of this stuff may be nefarious and some arranged by the record companies themselves, but in general it's quite difficult for evil forces to handle this level of complexity (within the messages themselves). Evil forces are more likely to influence the person deciphering the message, but as that's YOU not me, clearly you now have this source and can do what you like with it. Most of it is a one way communication from God. This should be expected, think of it like receiving a message from a spaceship many light years away - two way communication would be difficult and God is slow. Further more why should a God listen to us, isn't it us who should be listening to the God? Some might argue that this is not God the Creator, but so long as the information provided is useful that's really what counts. The trick here is to avoid being led astray by your own interpretations, consider how other people might interpret the same message, or get other people to work on it and see if they come up with the same answer. Independent corroboration should be possible here.
Paul McCartney Songs:
As previously Sir Paul McCartney is thought to be a modern day Antichrist following the sequence of Good>God>Evil. The standard of his work should be considered as great as St. Paul but time will tell. Clearly it becomes important to distinguish the songs prior to the 1966 transmogrification (of which the Apple Dictionary suggests 'the cucumbers that were ultimately transmogrified into pickles' - very apt). Mostly here the concern is for the songs associated with the Beatles (Le Beast) and also those that are easily available on the albums. This is not an exact list and there are certain songs (When I'm Sixty-Four) which may have been written by Paul 1st but then sung by Paul 2nd. Those may be considered to be God-like? There are also some that cannot easily be determined (Eleanor Rigby). These are songs written by Paul McCartney that were either sung mainly by him or by both Paul, John and others. The importance of these is that Anno Domini must consider the songs prior to 1966 (the first list here) to be important prayers of some kind.
pre 1966 point:
Love Me Do Please Please Me<
P.S. I Love You Please Please Me<
All My Loving With The Beatles<
Hold Me Tight With The Beatles<
I Saw Her Standing There Please Please Me<
I Want To Hold Your Hand Past Masters Volume One*
Little Child With The Beatles*
She Loves You Past Masters Volume One*
Thank You Girl Past Masters Volume One*
There's A Place Please Please Me*
And I Love Her A Hard Day's Night<
Baby's in Black Beatles For Sale*
Can't Buy Me Love A Hard Day's Night<
Eight Days a Week Beatles For Sale*
Every Little Thing Beatles For Sale
I'll Follow The Sun Beatles For Sale<
She's A Woman Past Masters<
Things We Said Today A Hard Days Night<
What You're Doing Beatles For Sale<
Another Girl Help<
Drive My Car Rubber Soul<
I'm Down Past Masters Volume One<
I'm Looking Through You Rubber Soul<
I've Just Seen A Face Help<
Michelle Rubber Soul<
The Night Before Help<
Tell Me What You See Help<
Wait Rubber Soul<
We Can Work It Out Past Masters Volume Two<
The Word Rubber Soul*
Yesterday Help<
You Won't See Me Rubber Soul<
Paperback Writer Past Masters Volume Two<
-------------------------------------------------------------------------------------------------
post 1966 point:
Eleanor Rigby Revolver<
For No One Revolver<
Good Day Sunshine Revolver<
Got to Get You into My Life Revolver<
Here There And Everywhere Revolver<
Penny Lane Magical Mystery Tour<
When I'm Sixty-Four Sgt. Peppers<
All Together Now Yellow Submarine<
A Day in the Life Sgt. Peppers*
Fixing a Hole Sgt. Peppers<
The Fool on The Hill Magical Mystery Tour<
Getting Better Sgt. Peppers<
Hello Goodbye Magical Mystery Tour<
Lovely Rita Sgt. Peppers<
Magical Mystery Tour Magical Mystery Tour<
Sgt. Peppers Lonely Hearts Club Band Sgt. Peppers<
Sgt. Peppers Lonely Hearts Club Band (Rep) Sgt. Peppers<
Your Mother Should Know Magical Mystery Tour<
Back in The U.S.S.R. The Beatles (White)<
Birthday The Beatles (White)*
Blackbird The Beatles (White)<
Helter Skelter The Beatles (White)<
Hey Jude Past Masters Volume Two<
Honey Pie The Beatles (White)<
I Will The Beatles (White)<
Lady Madonna Past Masters Volume Two<
Martha My Dear The Beatles (White)<
Mother Nature's Son The Beatles (White)<
Ob-La-Di, Ob-La-Da The Beatles (White)<
Rocky Raccoon The Beatles (White)<
Why Don't We Do It in the Road? The Beatles (White)<
Wild Honey Pie The Beatles (White)<
Carry That Weight Abbey Road<
The End Abbey Road<
Get Back Past Masters Volume Two<
Golden Slumbers Abbey Road<
I've Got A Feeling Let It Be<
Let It Be Let It Be<
The Long and Winding Road Let It Be<
Maxwell's Silver Hammer Abbey Road<
Oh! Darling Abbey Road<
She Came in Through The Bathroom Window Abbey Road<
Two of Us Let It Be<
You Never Give Me Your Money Abbey Road<
* Both Lennon & McCartney
< McCartney as lead singer
This is a reasonably accurate list but some songs may have been missed or were excluded for being too much of a mixture. There are some important songs here. 'We Can Work It Out' was taken as a replacement for the Lord's Prayer, it's counterpart on the evil side is 'Maxwell's Silver Hammer' a Satanic prayer. We also have 'Hey Jude' suggested as representing Paul 2nd as Jude (not Judas Iscariot, but the other one) whose brother was James much like James Paul 1st (that Paul 2nd viewed as his brother). 'Get Back' by Paul 2nd was originally a racist song asking immigrants to go home. 'Helter Skelter' by Paul 2nd was the inspiration for Charles Manson and the Mason Family murders. There are two songs from the good side 'I'm Looking Through You' & 'You Won't See Me' that imply optical invisibility (but may be a reference to the death of Paul 1st, 'You Won't See Me' sits at '12 The Hanged Man' on the Rubber Soul album, and on one side of it we have 'Norwegian Wood' - a Pine Box, and on the other 'Nowhere Man'). It's true that Jesus Christ was known to have the ability to change his appearance so that he could not be recognised, and there is the suggestion of invisibility (which is why Judas Iscariot was needed to identify him), so these two songs are quite interesting, implying that there is some possibility of achieving psychological invisibility.
The first set should be considered useful and the meanings of those could be studied. They my not appear to be important but that's a deception. There is more going on here than meets the eye. Paul McCartney continued after the Beatles broke up, and produced a wide range of music so there may be some value in his later songs.
Tasks
^^^^
You should listen to Stiltskin's 'Inside' in the knowledge that it does represent what I'm suggesting here, and realise that the lyrics are not just deliberately meaningless, but specific to that event. Consider also how the music sounds, and listen to the Angels at the start of the song.
Songs are important because their lyrics can have hidden meanings. Consider the song 'The Bad Touch' by Bloodhound Gang ("You and me baby ain't nothin' but mammals"). Let me ask you to consider this line:
"Yes I'm Siskel, yes I'm Ebert and you're getting two thumbs up"
In the context of the song what does "two thumbs up" refer to?
I imagine that you might have to research this topic for some time. Is this a good song to listen to or not?
Pick one or two of your favourite CDs. Consider that the first track represents '10 The Wheel of Fortune' and use that or the information above to determine which Tarot cards are represented by the songs. You might even extract a few CDs to a computer so that you can separate out the songs into individual folders for each track (which you can label to make it clearer). The question I ask is this: Can you identify that some song or other has a specific meaning that is clear and obvious? Can you then determine the parallel track/card and listen to that song next - Are the two songs about the same subject? You would expect to see a difference because the purpose of the parallel alignment is to present information that is unknown. So if the meaning of one song is clear then the parallel song will not be clear because it is linking that topic to some devious unknown aspect. This begs the question: Did you get additional information, and was that data correct?
Clearly the suggestion here is that God responds very slowly. An emergency would result in God rapidly responding after 80 years of consideration. There are some interesting questions that this raises. Fire from the sky to consume the altar is very suspicious especially if that altar is doused in what appears to be water (microwaves perhaps). This would be a rapid response of a form that God does not generally give. How are these rapid miracles achieved? Is there a technology associated with the brain, and some form of delegation from God? Consider what would happen if you fell down a hole. Would you pray for God's help? If God responded as a result of your prayer it would not be for at least another 10 years, by which time you would have starved. If a nuclear bomb went off nearby and you were saved because you fell down the hole, only to be rescued during the search for survivors, it would be the result of long term planning. Given the slow response time of God how does that affect your attempts to communicate with him? This delay is the cause of a lack of belief. The sins of the father are brought to the third and fourth generations because of this time delay.
Given the argument that Nagasaki was revenge for the crucifixion of 26 Catholic Priests 348 years earlier, should we consider what our ancestors did 300 or more years ago, or what happened at our current location in the distant past? Could that past affect the actions or plans of God for the future of the place where we are now living? You can see that because we have short life spans we tend not to see the link when it extends over a longer period.
Try to gain an understanding of how severe the atomic bomb was and the devestation that it caused to Nagasaki. If God uses the brains of humans for his own thinking, he would certainly have felt their deaths. Is the Stiltskin song 'Inside' an accurate portrayal of this event as witnessed by the God himself (through his presence there)? 'Prayer For The Dying' - Seal, suggests life after death and represents '7 The Chariot'. There are many such references on the 'Now 28' CD1. Could all of this be accidental coincidence?
Okay - now for a challenge. Can you find a CD that does not include the song 'Inside', that describes the same event using different songs? For example take the song 'Pretty Flamingo' by Manfred Mann. It's supposed to describe an attractive female but does it? Consider these lines:
"cause her hair glows like the sun and her eyes light up the sky"
"Crimson dress that clings so tight"
"When she walks by she brightens up the neighborhood"
Does a females hair glow like the sun? Does a females eyes usually light up the sky? Does a female light up the neighborhood when she walks by? Her dress is Red and aren't dresses sort of mushroom shaped - doesn't an atomic bomb also have a crimson mushroom shaped dress? Clearly this also appears to describe an Atomic Bomb (graphically), so what is the significance of that? What albums does it appear on? Such references should be rare but: 'Great Balls Of Fire', seem to occur more often than they should.
Reality Check: If the song was 'You'll Never Walk Alone' by Gerry & The Pacemakers, I would be asking if you've ever been 'tossed and blown' in your dreams, but it just doesn't seem like the same thing now does it?
Important Points
^^^^^^^^^^^
- Instead of prayers we now have songs, and they can just be listened to regularly.
- Information can be stored within the lyrics of songs that can be interpreted to give different meanings.
- Casually listening to music is therefore rather hazardous if it's unclear what the song is about.
- The location of a song on an album is used to link it to other songs that elaborate on the hidden meaning.
- The Jewish Kabbalah is an old system said to be given to Moses on his second encounter with God.
- The Kabbalah indicates that the Jews believed that God created the Universe, not just the Earth.
- The Tarot Trumps represent the paths of the Kabbalah and appear to be accepted by God.
- The sequence of the Tarot cards follows a figure 8 pattern that matches cards up in pairs.
- That sequence is applied to the order of tracks on a musical album starting at '10', the Ten Signal.
- The songs on an album can therefore be matched to Tarot cards, with a second card confirming the attribution.
- The cards indicate the meaning of the songs, while the songs indicate the meaning of the cards.
- As evidence the song 'Inside' by Stiltskin was shown to represent the Nagasaki Atomic Bomb.
- As further evidence the album 'Now 28' CD1 was shown to elaborate on this to the point of indicating Japan.
- It is thought that the bomber was redirected for the sake of revenge for the 26 martyrs of Nagasaki earlier.
- It is clear that God responds slowly. Time was taken to move people in and out of Nagasaki.
- Sir Paul McCartney's songs are indicated with respect to the 1966 'accident' so that good ones can be chosen.
- The 'Now 28' CD1 is very disturbing. A God in action brutally choosing Nagasaki instead of Kokura.
URL: https://coalpha.arkian.net/ANNO-DOMINI-A-new-religion-tp7576696p7576714.html
The Nature of Songs
^^^^^^^^^^^^^
In general prayers have now been replaced with songs, and songs can be used to store information within the structure and choice of words used. I think this is probably because modern recording equipment has allowed recordings of songs to be preserved in an audible format. As the music can be sold in a form which is an exact replica of the original both the music and the words remain exactly the same. This is not the case where the music had been stored previously as musical notation with the words given below the musical stave. Prior to that travelling minstrels would embellish both the music and words in ways of their choosing. Storing information within the music only works if the exact wording is preserved. The composer is being influenced by internal or external forces such that the correct secondary meaning is built into his primary intent. His mind is not his own. Collections of songs on albums are also interfered with to fix the order, choice, and sequence of the songs which then follow another imposed scheme that is used to add another layer of meaning and interpretation.
People are reluctant to pray. They will choose not to. In many respects people carry out the will of God directly in the things they do. It seems esential then for a God to direct them in some way, but yet preserve their free will. God says what is to be done, but he does not say who should do it. An influence is transmitted and the most appropriate person responds because they are able to, or because the message seems to be directed to them. The message has to be relayed person to person. Songs are transmitted, but would not be if they were prayers. Furthermore if the most suitable person is not religious or indeed not susceptible it doesn't stop a song reaching that person, and their subconscious mind will do the rest. You can see why other authorities might attempt to use the same process, and evil forces may do so as well. The effect here is similar to neurolinguistic programming (NLP). The song is the message's 'container' much like a video or zip file. The brain slowly extracts the content to see if it's relevant.
* As you can imagine it has taken many years of study to detect this scheme. To deduce what it was for, and then extract the information being concealed. Even now the level of encryption is still so deep that decryption can take many months just for one song.
I think it's important to realise that the conscious mind is new, and also very tiny. We are a very small part of our brains. While the conscious mind might be thought of as a microprocessor, the rest of the brain is rather like a mainframe computer. Our conscious minds exist to respond quickly, to make snap judgements and decisions, and those are often prompted by the rest of the brain on the basis of calculations that have taken many years to perform. The body has reflex action, and consciousness is like the reflex action of the brain. It is extremely limited, it has a low IQ, it has a poor memory system, and it constantly gets refreshed. In contrast the rest of the brain is deeply superior, but slow. The brain as a whole has a turn around time of about 10 years for typical problems, while the conscious mind can reach in conclusion in less than a second. The brain takes the entire ecosystem into consideration, while the conscious mind only considers itself. The conscious mind does not generally have access to the rest of the brain, but it is fed information intended for it. There is an encryption system that often simply reverses data before feeding it into or out of the conscious mind. Barriers exist between the two. There are structural differences and protocol differences, there is also a different language structure and words will often have different meanings. The brain has created a process that provides it with a second opinion deduced by an entirely different thinking method. It will often compare both evaluations. There is much scope then for the brain to directly influence what the conscious mind does, and it is the brain that has executive action - not the conscious mind. In many respects we have been set up as a kind of slave, but the suffering of a slave is not something that the rest of the brain would be able to do or understand. It doesn't make that kind of judgement. Much like a robot, it just does according to it's calculations. Where the rest of the brain may be viewed as a mainframe it may also function as a kind of server in some kind of network, and that in turn could act as the hive mind of God (at least locally). There are limitations and some brains are better than others.
The Jewish Kabbalah:
This is a scheme that consists of the symbol of the Tree of Life. It has ten spheres of influence arranged in three vertical columns. Each sphere is called a sephiroth and these are generally aligned with planetary names. There are paths that join the spheres to each other. The whole structure can be aligned with the human body to a degree. There is much argument concerning the origin of this system. In general my understanding is that this was turned to when the Jews lost contact with their God, so it is a way of making contact with God. However in the modern world it is considered to be Occult in nature.
The first significance of this scheme is that it appears to confirm the belief that God Almighty created the Universe. This is important as the Greek term Kosmos was originally understood to mean 'World' and so it was thought that God had created the world, thus the Earth which also seemed to be confirmed by Genesis in the Bible. However later it was understood that Kosmos should be interpreted to mean the Universe, but there are still arguments as to whether this is God or separate from God. The Kabbalah represents a superior source of information and appears to suggest the creation of the Universe. Anno Domini as a religion expresses the view that the Universe and everything in it is God Almighty in a very expanded form, in the context of the Big Bang argument of Science. So the Universe is a creature, and that creature is God, and God is in all things. A Jesuit view perhaps?
One dilemma is the notion of Heaven. In Scientific terms it may be considered to be space, or spacetime. In Religious terms it may be considered to be a kind of alternative dimension, as would be the case if Adam walked with God. If however God created the Universe, or indeed is the Universe, then whether Heaven is an external plane or Space itself the presence of God or even the Will of God on Earth must be viewed as hazardous. In Anno Domini the expression of the Will of God on Earth is the Atomic Bomb. The burning bush was a better form but the miracle here was not vaporising the entire mountain. We might also ask why God was hiding in the bushes? Given that God Almighty created the entire Universe we must try to consider how BIG that is and how much POWER is involved. This limits our association with God for very obvious reasons. The other point here is that the atomic bomb detonations changed the situation for our world - God is now present, where previously (the burning bush) he was distant. Having summoned God himself, his appearance at this point would tend to be more easily achieved, but with more risk involved.
The Jewish Kabbalah in many respects was a case of sending information to God. He has not generally responded. However there is an aspect that has resulted in a response, the Paths in association with the Tarot Trumps. Between the ten sephira are twenty-two paths, and each are assigned a Hebrew letter which in turn is associated with one of the Tarot Trumps. Sadly there is a wide range of disagreement as to which path is associated with which card. It seems that very few people who claim authority in this area actually know the correct attributions. Aleister Crowley for example gets it wrong and also switches around some of the Tarot cards incorrectly. His switching of '8 Strength' and '11 Justice' is incorrect for example. Perhaps this is why God has not generally responded to the Kabbalah as a system, much like the minstrels and their musical variations, a structure that is embellished in an ad hoc way cannot be used to store information. The reality here is that the Tarot cards themselves have always been associated with divination and one aspect of this is the spread, the way the cards are laid out. In practice the cards have structure that is independent from the Kabbalah and this structure does not appear to be generally known but because of this, a knowledge of the Kabbalah is not required. In effect it may be thought that there is a new Kabbalah here which might be deduced from the correct layout of the Tarot cards themselves.
The Tarot:
As above the Tarot Trumps represent the paths of the Jewish Kabbalah and it appears that the cards originated from the Kabbalah (the link seems more than just a coincidence). The cards are well liked and being pictorial are accessible to all peoples of all languages. The key feature here is the fact that the pictures are not generally understood and this has the value that they are not generally changed. In modern times many people have seen fit to try to interpret the cards their own way and then draw new pictures for them. Fortunately they claim copyright which is proof of the fake design. Today a number of different packs have to be consulted to try to determine the original pictures. In general terms the cards are numbered and these numbers tend to remain the same. As above some people like Aleister Crowley have tried to change the position of some of the cards - however the arrangement is that of the numbers not especially the cards themselves. The numbers are 0 to 21 and are obviously fixed, despite variations of design. As such the order and structure can be used to store information.
The layout of the structure is very important and again there has been a wide range of confusion. The notion of the Microcosm and the Macrocosm has led to the idea of dividing the cards through the 10 point. Thus 0-10 followed by 11-21 - let's not get into it because it's wrong! The structure that emerges is quite odd:
12
13 11
14 10
15 09
16 08
17 7
18 06
19 05
20 04
21 03
00 02
01
As far as I am aware no one has published this structure. Notice that 01 at the bottom parallels 12 at the top. Notice also that the flow of values results in 7 and 17 being the only point that matches the inaccurate Microcosm/Macrocosm scheme envisaged by the average persons study. Given that it appears here the implication is of a link between the microcosm and the macrocosm and as '7 The Chariot' is a mode of transport while '17 The Star' (at least in Crowley's relocated view) implies travel to the stars - a kind of stargate? In a human sense it might be half man half God, or it might refer to resurrection? Much is unknown at this time.
In general not many of the cards have understandable meaning, but it is clear that '12 The Hanged Man' refers to the Big Bang creation of the Universe (or just prior to that as God himself), and it's parallel here is '1 The Magician'. You can see on either side of 12, '13 Death' perhaps representing Democracy and '11 Justice' perhaps representing Autonomy. Both of those are active and moderately evil. We might take the system back one step further and signify '14 Temperance' as Democracy and '10 The Wheel of Fortune' as Autonomy. You can see from this scheme that one card can be understood to a degree by studying the card parallel to it. Doing so also allows conversion of the values of one system to the values of another. 13-00 represent the physical, while 11-02 represent the personal/mental. One might also argue for a Wave Universe and a Particle Universe, one being cast into the future while the other cast into the past (not sure which), due to the fact the the Big Bang initially exploded faster than the speed of light and was therefore an explosion in time as well as space. You might then argue for the Present as a kind of spacetime bubble, and doing so then give three components to the structure. Consciousness would then be attuned to the 'Now'.
This scheme becomes important and useful because it is being used to store encrypted information, but that's fairly hard to prove. As far as the Tarot cards are concerned, because no one understands what they mean it is considered to be a redundant system. However, suppose there was a way to extract the exact meaning of each card?
The Nature of God:
God is a creature that existed originally as a Singularity. This grew to maturity and then exploded to form the Universe. The reaction could be thought of as puberty and is also rather like the blooming of a flower. The purpose of the expansion was to reproduce. The sex organs are the principles of Good and Evil as expressed within the Universe. It seems quite possible at this point that when a nuclear bomb is detonated it may produce a tiny singularity and eject it out of the Universe. If true there is the risk of punching holes in spacetime, and those holes may remain? God then appears to be fragmented or diluted. There is the sense of gathering up pieces of God (pieces of eight). Pieces of Osiris would be a similar Egyptian concept I guess. The God then exists in a diluted distribution throughout the Universe. As a result of this inherent nature it's quite possible that God exists as a hive mind linking the brains of all the people on the planet - perhaps with local variations in the nature that emerges. This is our connection to God and the reason why he has any interest in the human race. One of the important aspects of God is that he doesn't have a shortage of resources. In many religions you have to put something into the religious practices to get something back in return. This would certainly be true of Voodoo or Santeria, or the modern Santa Muerte. In the case of God Almighty however there is a continuous output of power, energy, and information without the requirement to submit anything in return. The format however is often very subtle and uses existing structures. The apple may fall from the tree, but first you have to have a tree, and then it has to grow an apple. We can also see dualities such as light being composed of particles or waves. The God is offering us a choice of two different varieties, and this is the generosity of God. Further more where there are limitations such as the speed of light barrier - necessary to preserve the structure of the Universe, it may well be the case that the alternative version offers a way to overcome such barriers - without destroying the Universe or breaking the Laws of Physics.
The Ten Signal:
This was discovered by accident and I'm not aware of anyone else disclosing this information. Initially it was thought to be a product of my own subconscious mind, but has since been found to be affecting everyone on the planet (although hard to prove). The boundaries of the signal have not yet been determined.
For every musical Album, whether pre-recorded, or a personal compilation, the first track will always directly represent the Tarot card '10 The Wheel of Fortune'. This is achieved through the manipulation of the minds of the population, which is extensive! All of the remaining songs on the album (which can be any album) will follow the Tarot cards in chronological order, following the sequence below (which comes from the figure 8 symbol above).
Track 1 = 10(14)The Wheel of Fortune
Track 2 = 11(13)Justice
Track 3 = 12(01)The Hanged Man
Track 4 = 13(11)Death
Track 5 = 14(10)Temperance
Track 6 = 15(09)The Devil
Track 7 = 16(08)The Blasted Tower
Track 8 = 17(07)The Star
Track 9 = 18(06)The Moon
Track 10 = 19(05)The Sun
Track 11 = 20(04)The Last Judgement
Track 12 = 21(03)The Universe
Track 13 = 00(02)The Fool
Track 14 = 01(12)The Magician
Track 15 = 02(00)The High Priestess
Track 16 = 03(21)The Empress
Track 17 = 04(20)The Emperor
Track 18 = 05(19)The Hierophant
Track 19 = 06(18)The Lovers
Track 20 = 07(17)The Chariot
Track 21 = 08(16)Strength
Track 22 = 09(15)The Hermit
Where there are more tracks than 22 the sequence repeats thus 23 would again represent '10 The Wheel of Fortune' but in another context. Because some cards such as '12 The Hanged Man' have very specific meanings it becomes possible to prove that the songs that fall on Track 3 always refer to God, Heaven, Religion and so on. This can be shown not to happen with other tracks.
That the sequence is followed for personal compilations is disturbing, as no external organisation can be doing that on purpose. The parallel cards are shown in brackets above. Given that the parallels are suggested or deduced by myself it is a point where you might expect to find errors not alignments (difficult to determine absolutely because the parallel card represents a different form). The structure centres on Track 3 and as such you would expect huge errors to occur if it was incorrect.
The sequence starts with '10 The Wheel of Fortune' and this can only mean that this card is considered to be more important than the rest? At the moment best guess is that the three figures on the wheel represent the Good and Evil Principles and God Almighty, with the key importance being that the wheel needs to revolve. It is clear that this is located on the side of the Hanged Man associated with the Autonomy (not the Democracy). From this we may assume that the importance of the card relates to the formation of the Autonomy 'system' to complement the Democracy 'system', thus it represents something new being suggested by this signal. It's also easy to find this particular song as it's the first song on every CD, Record, or Tape. The sale of single tracks opposes the transmission of this structure.
The general view is that the lyrics of the songs represent data storage as an archive of the hive mind of God. The key area for this is thought to be within the cortex of the brain but outside of areas used by the conscious mind. Clearly the suggestion is that with many CDs you could extract all the music and gather together all of the track 1s and all of the track 2s etc. You would then be able to cross reference the collection of music for each Tarot card to determine the meaning of that card from the lyrics of a number of songs where common themes were expressed. It would become possible to decrypt the data stored within the lyrics and thus access the archive of the mind of God. It has been theorised that if God did use the brains of creatures such as ourselves to form a hive mind, that there would have to be some form of offline storage. However there are some indications that it is actually information conveyed to us by God - as a communication. In other words it appears to be a reply - to the Kabbalah. Furthermore it is a specific reply to YOU the reader, as you can access the information from your own collection of music for yourself. Thus the words of God can be heard personally by you without being suggested by ME or the Anno Domini religion. There is of course a snag, it's a little cryptic as it's moderately in code. You need to decipher the meaning and it can take time to do that, how fortunate then that this time is spent listening to nice music.
Evidence:
As this is a religion there is no direct need for evidence, however I did find something quite disturbing. There are two aspects, the first is to show that messages are being stored, and the second is to show that the songs on an album are arranged (through influence) to follow a specific order that has the structure given above.
Starting with the first argument, that messages are being stored… The Hiroshima atomic bomb was the first of two dropped on Japan (code named Little Boy). As stated previously there were four Jesuit priests who survived in a wooden Rectory eight blocks from the blast. Some other people in this area were able to survive due to their location (in a basement, in a car), but these priests would not have been expected to survive. Not only did they survive but they did not suffer from radiation poisoning. They obviously put their survival down to their faith. This led me to consider the second atomic bomb which was dropped on Nagasaki (code named Fat Man). The Americans dropped two bombs to show that the first wasn't just luck, and likewise my concern was to find a second group of survivors at Nagasaki for exactly the same reason, but this was not what I found. Nagasaki was not the primary target, it was Kokura. Three attempts were made to drop the bomb visually on Kokura which was obscured by clouds and smoke and it was decided to move on to the secondary target Nagasaki. However if we study Nagasaki, instead of finding Jesuit survivors as we might expect, what we find is a history that includes 26 Roman Catholic martyrs!
On February 5, 1597, 26 Catholics – four Spaniards, one Mexican, one Indian, all Franciscan missionaries, three Japanese Jesuits and 17 Japanese laymen including three young boys, who were all members of the Third Order of St. Francis, were executed by crucifixion in Nagasaki on the orders of Hideyoshi Toyotomi. These individuals were raised on crosses and then pierced through with spears. (Wikipedia)
Nagasaki was revenge, "Vengeance is mine; I will repay, saith the Lord". This was a simple matter of providing a few clouds over Kokura while ensuring that the second target was Nagasaki. Now this is relevant for two reasons, the first is that the Atomic Bomb is the manifestation of God Almighty to the people of Earth (or any other planet with intelligent life and an atmosphere), and the second is that this event is referred to in a message stored within a song.
'Stiltskin - Inside'
Let's give some history here first. The song was written by Peter Lawlor, who also produced all the music. Originally this was an instrumental and was picked up by Levi's for a Jeans advert (Creek). The Tribe of Levi may perhaps be inferred here? As he got lots of requests for the record, and as none of the record companies would touch it, he had to produce a record himself. This involved quickly writing the lyrics. Finding someone to look as though he was playing the drums. Someone he knew who could stand in for the Bass player, and the most time was spent auditioning the singer - Ray Wilson. In general the only reason the song didn't hit number one in the charts is because Peter Lawlor had only arranged for a fixed number of records to be pressed and they sold out. What we get from all of this is that the song had to be hastily written to make the record, and the band assembled to create an act to sing it. The song was not therefore arranged or engineered by a record company and was entirely the work of Peter Lawlor.
What emerges is a song sung by Ray Wilson who is effectively impersonating God Almighty with the choir of Ambrosian Singers impersonating the Angels in the background, and here's the key code:
"Fat man starts to fall"
The code name of the Atomic Bomb dropped on Nagasaki. The entire song is a description of the Nagasaki detonation with the important line - "If you believe it, don't keep it all inside" repeated over and over which suggests a modicum of proselytizing. Quoting the lyrics here is not good. It's a breach of copyright and also if you listen to the singer, what he sings is slightly different to the lyrics often given. I myself would correct some of these as there are spelling mistakes as well as deliberate misspelling and faulty grammar. I think it's very unlikely that it was written to have the meaning that I'm suggesting here. Certainly Levi's Jeans doesn't seem to suggest atomic bombs? I will give some lines here.
"You turn and cower, See it turn to dust."
"Seam in a fusing mine." - The heat fusing and melting things together.
"That's because I'm slightly blinded" - By the flash.
"And if you think, That I don't make too much sense, That's because I'm broken minded." - The hive mind of God perhaps.
"Shadows move in pairs" - A reference to shadow effects of the blast.
"In the shooting yard, Looking through the tears" - Not tears from his eyes, but the shredded building.
"Fall in a long stray town, As the ice comes down, Rivers start to bend."
If the lyrics seem obscure - that's God acting through Peter Lawlor. It's a Grunge song? What you're getting here is the harsh reality of a hostile God taking revenge for the crucifixion of 26 Roman Catholics by arranging carefully for the City to be nuked 348 years later, thus the song is not presenting the sweet and light concept of God that the Church would suggest. It should also be clear here that God takes a bit of time to think things through. In the case of Moses who was the babe in the bulrushes, it wasn't until he was 80 years old that he led the Israelites out of Egypt - which is urgent and rapid decision making on the part of God. So although you might pray to God and he may indeed answer, it won't be for many years. That's simply due to the fact that something big tends to move rather slowly. For faster responses it has to be something that was already being planned, or it has to come from the brain using stored data and personal power.
This song then is an attempt to portray God Almighty in it's lyrics, the quality of the singer, and in the way the music has been constructed (an accidental match apparently). It has not been rigged or set up on purpose. No one seems to have noticed the match for the 'Fat Man' code word. A bomb falls of course. In fact it's spooky - listen to the song because it many respects it becomes the anthem for the Anno Domini religion.
* All of the above comes from an interpretation of the song itself, but when that song is placed onto an album you then have the other tracks on the album that can be used to confirm the interpretation while providing additional information.
The second argument is that the songs on an album are arranged to follow the specific order of the Tarot cards starting with '10 The Wheel of Fortune' as the first track (Track 1). We can use the song above to try to show this sequence. Tarot cards are always tricky, they are designed to move around, and the value of the above system is that two cards are paired depending on the location. Also the meaning of the song can be supported by it's location and corresponding Tarot card ONLY IF there is a knowledge of this structure, and this makes it hard to fake.
Stilskin - Inside, appears on a number of albums and it's difficult to find out which. There is more than one and as you can imagine the song appears in different locations on different albums. The validity of this is determined by the counter point and a slightly different meaning can be inferred from the different placement in the sequence.
The first album here was called 'The Minds Eye' and it was the Stiltskin ablum with the song on it:
1. Intro (instrumental) 10(14) The Wheel of Fortune
2. Scared of Ghosts 11(13) Justice
3. Horse 12(01) The Hanged Man
4. Rest in Peace 13(11) Death
5. Footsteps 14(10) Temperance
6. Sunshine and Butterflies 15(09) The Devil
7. Inside 16(08) The Blasted Tower
8. An Illusion 17(07) The star
9. America 18(06) The Moon
10. When My Ship Comes In 19(05) The Sun
11. Prayer Before Birth (instrumental) 20(04) The Last Judgement
'Inside' as suggested represents the Nagasaki nuclear detonation, so at first glance the match to '16 The Blasted Tower' may look quite good but may be deliberate? While it may be assumed that the 16th card refers to such an explosion it's not the case. 16 & 8 represent the Antichrist. '8 Strength' may represent the duality of the character while '16 The Blasted Tower' refers to the accident that transforms the polarity (from Good to Evil or from Evil to Good). Knowing this means that the placement here may in fact refer to Ray Wilson's traffic accident just prior to singing this song, and it is that factor in the instance of this the first album that is being conveyed (despite the fact that he didn't write the song). Not much is known about this accident. A second idea I had here is that the placement could refer to the 'Bomb' itself and not the detonation. Clearly 'Fat man' also refers to the 'Bomb' prior to detonation. An Atomic Bomb might be viewed as a form of Antichrist because it contains the Good and Evil Principles within it's construction. It is the combination of Good and Evil that is forced to occur in a sustained way that manifests God Almightly within the Universe. The accident is more deliberate in this case, but is also often deliberate in the development of an Antichrist.
The 11th track here 'Prayer Before Birth' is matched to '20 The Last Judgement' and this card refers to Death (which curiously is not the case for the card called '13 Death'). It's an instrumental so there are no lyrics to check. If we consider '13 Death' the song here is called 'Rest in Peace' and it's parallel (given in brackets) is '11 Justice' and the song here is 'Scared of Ghosts'. You can see the logic emerging but again as '13 Death' doesn't really refer to death the meaning will not really be RIP. Do ghosts haunt people for the sake of Justice?
Clearly there is some alignment and there are a range of matches that seem a little too good to be true. Obviously there is the possibility that Peter Lawlor has some understanding and he may have arranged the order of the tracks on the record, however that will not be the case for other albums produced by the record companies. There is enough here for the reader to investigate these matches for themselves.
The second album found here was 'Now 28' where it appears on the first CD:
1. Love Is All Around - Wet Wet Wet 10(14) The Wheel of Fortune
2. I Swear - All-4-One 11(13) Justice
3. Don't Turn Around - Ace Of Base 12(01) The Hanged Man
4. Shine - Aswad 13(11) Death
5. (Meet) The Flintstones - BC52s 14(10) Temperance
6. Crazy For You - Let Loose 15(09) The Devil
7. U R The Best Thing - D:Ream 16(08) The Blasted Tower
8. Everybody's Talkin - The Beautiful South 17(07) The Star
9. I Believe - Marcella Detroit 18(06) The Moon
10. I'll Stand By You - Pretenders 19(05) The Sun
11. Inside - Stiltskin 20(04) The Last Judgement
12. Girls And Boys - Blur 21(03) The Universe
13. Renaissance - M People 00(02) The Fool
14. Just A Step From Heaven - Eternal 01(12) The Magician
15. Another Sad Love Song - Toni Braxton 02(00) The High Priestess
16. Searching - China Black 03(21) The Empress
17. You Don't Love Me (No No No) - Dawn Penn 04(20) The Emperor
18. I Wanna Be Your Man - Chaka Demus & Pliers 05(19) The Hierophant
19. Always - Erasure 06(18) The Lovers
20. Prayer For The Dying - Seal 07(17) The Chariot
Fairly obviously the order and choice of songs in this case would not be dictated by Peter Lawlor. The alignment that you should expect here is - ZERO, none should align to the structure. You should also notice here how '12 The Hanged Man' and '01 The Magician' are throwing the sequence of the parallel cards indicated in brackets. This is a result of the top and bottom parts of the figure 8 structure producing a vertical alignment where all the other cards are producing horizontal alignments. If that were an error it would probably only affect the parallel aligned cards and would have a minimal effect on the rest of the sequence. Lets try to tackle them in pairs:
Track 11. & Track 17. thus 20(4) The Last Judgement & 04(20) The Emperor:
Track 11. is 'Inside' by Stiltskin and here it is represented by the card '20 The Last Judgement'. Not only does this card generally represent death but the name seems very apt in the case of Nagasaki where the song represents the Atomic Bomb dropped on them. Notice though that it's in a different location to the previous album. Look now at the corresponding card Track 17. 'You Don't Love Me (No No No)' by Dawn Penn, sounding to me like a remixed version of the original. Phrases like "You don't love me and I know now", "and I've go no place to go now". The Japanese (of Nagasaki) now know that God doesn't love them, and now they have no place to go now. The song is interpreted with respect to the opposite parallel track following the structure. It should be observed here that if you listen to Stiltskin's 'Inside' there is a variation near the end of the song where he embellishes the line 'If you believe it, don't keep it all inside - No, No." by adding 'No No' (in the background) to the end of the line, and this echos the 'No, No, No,' line from the Dawn Penn song.
* It's fairly obvious that the entire disc should not revolve around Stiltskin's song 'Inside'. It would be quite possible to take one of the other songs on the disc as the central focus and interpret the rest from that perspective (in theory at least). It's a complex structure because it has to be built to represent all of the possible configurations and interpretations. That's a debatable point - perhaps the entire album does indeed revolve around this one song?
Track 3. & Track 14. thus 12(01) The Hanged Man & 01(12) The Magician:
We take these tracks because '12 The Hanged Man' represent's God Almighty while '01 The Magician' begins to look like his representative on Earth as a kind of Messiah. So for The Hanged Man we have Track 3. 'Don't Turn Around' by Ace Of Base. This gives nothing obvious in the title but if we play the song it has a single line as the Intro: "I will survive… without you" - God's words. The song is about letting people go - from Nagasaki before it get's nuked. Lyrics such as: "Don't turn around cos you're gonna see my heart breaking", "Just walk away". Now if we turn to the corresponding opposite card The Magician gives us Track 14 'Just A Step From Heaven' by Eternal. Lyrics such as: "Tell me that the will is still alive", "We can rise above this pain in our hearts".
Tracks 1 & 2, and Tracks 4 & 5 thus 10(14) The Wheel of Fortune, 11(13) Justice, and 13(11) Death, 14(10) Temperance:
Now because of the structure we can take the two sidebands on either side of '12 The Hanged Man' so on the Autonomy side we have '10 The Wheel of Fortune' & '11 Justice': Tracks 1 & 2, and on the Democracy or state side opposite The Hanged Man we have '13 Death' and '14 Temperance': Tracks 4 & 5 and these two groups represent opposing factions. So the Roman Catholic priests are represented by Tracks 1 & 2 which are the songs 'Love Is All Around Me' by Wet Wet Wet and 'I Swear' by All-4-One. The religious significance of those songs should be fairly obvious. In contrast the Japanese State are represented by Tracks 4 & 5 which are the songs 'Shine' by Aswad thus "Shine, Shine like a Star", the Star being the Will of God on earth as an Atomic Bomb (13 Death), and '(Meet) The Flintstones' by BC52s (the B52s and here it's 14 Temperance) - which seems quite cruel with respect to the result at Nagasaki (bombed back to the stone age: 'Yabba Dabba Doo' as the pilot of the bomber shouted, just after the bomb exploded), "the modern stone age family..." let's not go any further here.
Track 9. & Track 19. thus 18(06) The Moon & 06(18) The Lovers
These are picked out here because Track 19. is the song 'Always' by Erasure. Technically the video is Chinese not Japanese but you'd be hard pressed to tell the difference (the video is available on YouTube). Lyrics such as, "Open your eyes, I see your eyes are open". There's not much in the lyrics here but you have the cultural reference Chinese/Japanese in the video and the tragic name of the group 'Erasure' (as in Japanese erasure). The parallel song here is Track 9. 'I Believe' by Marcella Detroit. Lyrics such as, "If there is freedom, tell me why everybody wants to fight?", "You got your reasons but are you sure they're reasons to be right?", and "Don't let your anger or your fear become your suicide".
There are a number of other tracks here that could be studied. Track 20. 'Prayer For The Dying' by Seal, which parallels Track 8. 'Everybody's Talkin' by The Beautiful South, shadow effects I guess. I think you get the idea at this point. You won't get a perfect match, or literal interpretations but there is still enough to distinctly disturb the average individual without too much digging. The zero match that should have been expected from such an album was rapidly knocked for six. In cases where we have Tracks like 6 & 7 you can see that there is no parallel on this CD due to the lack of tracks, in that case these songs stand alone and have to represent both cards.
Fairly obviously the 'Now 28' CD set consists of two discs. You might expect the second disc to match the first as the sequence remains the same. It's probably quite difficult to influence the construction of another CD just for the sake of confirmation, however cursory glance shows that Track 11. of CD2 gives: 'Light My Fire' by Club House featuring Carl, a remix that uses some of the lyrics from the Doors original song. You can see that it matches the idea of Track 11. of CD1 representing an Atomic Bomb. If we were to propose that the 'Fat man' was a reference to a Sumo Wrestler - who kept falling over, and was unloved, and who needed to avoid death by losing weight, with the proposed solution of throwing up at regular intervals: "If you believe it, Don't keep it all inside", it would be hard to match that with CD2's 'Light My Fire' (invent your own jokes here I guess…).
Stiltskin - 'Inside' can be found on other albums such as 'The Best TV Ads… Ever!' where it falls on Track 7. of the second disc thus landing once more on '16 The Blasted Tower'. That's an album that could be studied but the match to the structure is less clear in that case (probably as it's a less well known disc). There is a sense here that such messages are mean't to be heard and where there is less likelihood, less effort and less influence are involved. In general though this seems to confirm the idea that the Antichrist in the form of the construction of the bomb is referred to rather than the detonation, whereas in the 'Now 28' CD1 the reference is clearly to detonation on a Japanese City.
There is one missing aspect here. None of this shows that the motive was the crucifixion of the 26 Catholics 348 years earlier, however it is rather hard to have modern popular music that refers to this topic. While such a reference may exist it would have to be encrypted more deeply to avoid interfering with the intent of the composer, and as such may be harder to find if it's present at all.
Summary:
The Kabbalah was intended to be a way of communicating with God. There is a parallel with the Tarot cards as they represent the paths between the Sephiroth of the Kabbalah, so this is an accepted religious structure. In the next article I will try to attempt some definitions and that section will be called 'The Book of Revelation' as this was indeed a description of Tarot cards written in the style of St. John, as the last chapter of the Bible. What you have here is information provided by God. Now some of this stuff may be nefarious and some arranged by the record companies themselves, but in general it's quite difficult for evil forces to handle this level of complexity (within the messages themselves). Evil forces are more likely to influence the person deciphering the message, but as that's YOU not me, clearly you now have this source and can do what you like with it. Most of it is a one way communication from God. This should be expected, think of it like receiving a message from a spaceship many light years away - two way communication would be difficult and God is slow. Further more why should a God listen to us, isn't it us who should be listening to the God? Some might argue that this is not God the Creator, but so long as the information provided is useful that's really what counts. The trick here is to avoid being led astray by your own interpretations, consider how other people might interpret the same message, or get other people to work on it and see if they come up with the same answer. Independent corroboration should be possible here.
Paul McCartney Songs:
As previously Sir Paul McCartney is thought to be a modern day Antichrist following the sequence of Good>God>Evil. The standard of his work should be considered as great as St. Paul but time will tell. Clearly it becomes important to distinguish the songs prior to the 1966 transmogrification (of which the Apple Dictionary suggests 'the cucumbers that were ultimately transmogrified into pickles' - very apt). Mostly here the concern is for the songs associated with the Beatles (Le Beast) and also those that are easily available on the albums. This is not an exact list and there are certain songs (When I'm Sixty-Four) which may have been written by Paul 1st but then sung by Paul 2nd. Those may be considered to be God-like? There are also some that cannot easily be determined (Eleanor Rigby). These are songs written by Paul McCartney that were either sung mainly by him or by both Paul, John and others. The importance of these is that Anno Domini must consider the songs prior to 1966 (the first list here) to be important prayers of some kind.
pre 1966 point:
Love Me Do Please Please Me<
P.S. I Love You Please Please Me<
All My Loving With The Beatles<
Hold Me Tight With The Beatles<
I Saw Her Standing There Please Please Me<
I Want To Hold Your Hand Past Masters Volume One*
Little Child With The Beatles*
She Loves You Past Masters Volume One*
Thank You Girl Past Masters Volume One*
There's A Place Please Please Me*
And I Love Her A Hard Day's Night<
Baby's in Black Beatles For Sale*
Can't Buy Me Love A Hard Day's Night<
Eight Days a Week Beatles For Sale*
Every Little Thing Beatles For Sale
I'll Follow The Sun Beatles For Sale<
She's A Woman Past Masters<
Things We Said Today A Hard Days Night<
What You're Doing Beatles For Sale<
Another Girl Help<
Drive My Car Rubber Soul<
I'm Down Past Masters Volume One<
I'm Looking Through You Rubber Soul<
I've Just Seen A Face Help<
Michelle Rubber Soul<
The Night Before Help<
Tell Me What You See Help<
Wait Rubber Soul<
We Can Work It Out Past Masters Volume Two<
The Word Rubber Soul*
Yesterday Help<
You Won't See Me Rubber Soul<
Paperback Writer Past Masters Volume Two<
-------------------------------------------------------------------------------------------------
post 1966 point:
Eleanor Rigby Revolver<
For No One Revolver<
Good Day Sunshine Revolver<
Got to Get You into My Life Revolver<
Here There And Everywhere Revolver<
Penny Lane Magical Mystery Tour<
When I'm Sixty-Four Sgt. Peppers<
All Together Now Yellow Submarine<
A Day in the Life Sgt. Peppers*
Fixing a Hole Sgt. Peppers<
The Fool on The Hill Magical Mystery Tour<
Getting Better Sgt. Peppers<
Hello Goodbye Magical Mystery Tour<
Lovely Rita Sgt. Peppers<
Magical Mystery Tour Magical Mystery Tour<
Sgt. Peppers Lonely Hearts Club Band Sgt. Peppers<
Sgt. Peppers Lonely Hearts Club Band (Rep) Sgt. Peppers<
Your Mother Should Know Magical Mystery Tour<
Back in The U.S.S.R. The Beatles (White)<
Birthday The Beatles (White)*
Blackbird The Beatles (White)<
Helter Skelter The Beatles (White)<
Hey Jude Past Masters Volume Two<
Honey Pie The Beatles (White)<
I Will The Beatles (White)<
Lady Madonna Past Masters Volume Two<
Martha My Dear The Beatles (White)<
Mother Nature's Son The Beatles (White)<
Ob-La-Di, Ob-La-Da The Beatles (White)<
Rocky Raccoon The Beatles (White)<
Why Don't We Do It in the Road? The Beatles (White)<
Wild Honey Pie The Beatles (White)<
Carry That Weight Abbey Road<
The End Abbey Road<
Get Back Past Masters Volume Two<
Golden Slumbers Abbey Road<
I've Got A Feeling Let It Be<
Let It Be Let It Be<
The Long and Winding Road Let It Be<
Maxwell's Silver Hammer Abbey Road<
Oh! Darling Abbey Road<
She Came in Through The Bathroom Window Abbey Road<
Two of Us Let It Be<
You Never Give Me Your Money Abbey Road<
* Both Lennon & McCartney
< McCartney as lead singer
This is a reasonably accurate list but some songs may have been missed or were excluded for being too much of a mixture. There are some important songs here. 'We Can Work It Out' was taken as a replacement for the Lord's Prayer, it's counterpart on the evil side is 'Maxwell's Silver Hammer' a Satanic prayer. We also have 'Hey Jude' suggested as representing Paul 2nd as Jude (not Judas Iscariot, but the other one) whose brother was James much like James Paul 1st (that Paul 2nd viewed as his brother). 'Get Back' by Paul 2nd was originally a racist song asking immigrants to go home. 'Helter Skelter' by Paul 2nd was the inspiration for Charles Manson and the Mason Family murders. There are two songs from the good side 'I'm Looking Through You' & 'You Won't See Me' that imply optical invisibility (but may be a reference to the death of Paul 1st, 'You Won't See Me' sits at '12 The Hanged Man' on the Rubber Soul album, and on one side of it we have 'Norwegian Wood' - a Pine Box, and on the other 'Nowhere Man'). It's true that Jesus Christ was known to have the ability to change his appearance so that he could not be recognised, and there is the suggestion of invisibility (which is why Judas Iscariot was needed to identify him), so these two songs are quite interesting, implying that there is some possibility of achieving psychological invisibility.
The first set should be considered useful and the meanings of those could be studied. They my not appear to be important but that's a deception. There is more going on here than meets the eye. Paul McCartney continued after the Beatles broke up, and produced a wide range of music so there may be some value in his later songs.
Tasks
^^^^
You should listen to Stiltskin's 'Inside' in the knowledge that it does represent what I'm suggesting here, and realise that the lyrics are not just deliberately meaningless, but specific to that event. Consider also how the music sounds, and listen to the Angels at the start of the song.
Songs are important because their lyrics can have hidden meanings. Consider the song 'The Bad Touch' by Bloodhound Gang ("You and me baby ain't nothin' but mammals"). Let me ask you to consider this line:
"Yes I'm Siskel, yes I'm Ebert and you're getting two thumbs up"
In the context of the song what does "two thumbs up" refer to?
I imagine that you might have to research this topic for some time. Is this a good song to listen to or not?
Pick one or two of your favourite CDs. Consider that the first track represents '10 The Wheel of Fortune' and use that or the information above to determine which Tarot cards are represented by the songs. You might even extract a few CDs to a computer so that you can separate out the songs into individual folders for each track (which you can label to make it clearer). The question I ask is this: Can you identify that some song or other has a specific meaning that is clear and obvious? Can you then determine the parallel track/card and listen to that song next - Are the two songs about the same subject? You would expect to see a difference because the purpose of the parallel alignment is to present information that is unknown. So if the meaning of one song is clear then the parallel song will not be clear because it is linking that topic to some devious unknown aspect. This begs the question: Did you get additional information, and was that data correct?
Clearly the suggestion here is that God responds very slowly. An emergency would result in God rapidly responding after 80 years of consideration. There are some interesting questions that this raises. Fire from the sky to consume the altar is very suspicious especially if that altar is doused in what appears to be water (microwaves perhaps). This would be a rapid response of a form that God does not generally give. How are these rapid miracles achieved? Is there a technology associated with the brain, and some form of delegation from God? Consider what would happen if you fell down a hole. Would you pray for God's help? If God responded as a result of your prayer it would not be for at least another 10 years, by which time you would have starved. If a nuclear bomb went off nearby and you were saved because you fell down the hole, only to be rescued during the search for survivors, it would be the result of long term planning. Given the slow response time of God how does that affect your attempts to communicate with him? This delay is the cause of a lack of belief. The sins of the father are brought to the third and fourth generations because of this time delay.
Given the argument that Nagasaki was revenge for the crucifixion of 26 Catholic Priests 348 years earlier, should we consider what our ancestors did 300 or more years ago, or what happened at our current location in the distant past? Could that past affect the actions or plans of God for the future of the place where we are now living? You can see that because we have short life spans we tend not to see the link when it extends over a longer period.
Try to gain an understanding of how severe the atomic bomb was and the devestation that it caused to Nagasaki. If God uses the brains of humans for his own thinking, he would certainly have felt their deaths. Is the Stiltskin song 'Inside' an accurate portrayal of this event as witnessed by the God himself (through his presence there)? 'Prayer For The Dying' - Seal, suggests life after death and represents '7 The Chariot'. There are many such references on the 'Now 28' CD1. Could all of this be accidental coincidence?
Okay - now for a challenge. Can you find a CD that does not include the song 'Inside', that describes the same event using different songs? For example take the song 'Pretty Flamingo' by Manfred Mann. It's supposed to describe an attractive female but does it? Consider these lines:
"cause her hair glows like the sun and her eyes light up the sky"
"Crimson dress that clings so tight"
"When she walks by she brightens up the neighborhood"
Does a females hair glow like the sun? Does a females eyes usually light up the sky? Does a female light up the neighborhood when she walks by? Her dress is Red and aren't dresses sort of mushroom shaped - doesn't an atomic bomb also have a crimson mushroom shaped dress? Clearly this also appears to describe an Atomic Bomb (graphically), so what is the significance of that? What albums does it appear on? Such references should be rare but: 'Great Balls Of Fire', seem to occur more often than they should.
Reality Check: If the song was 'You'll Never Walk Alone' by Gerry & The Pacemakers, I would be asking if you've ever been 'tossed and blown' in your dreams, but it just doesn't seem like the same thing now does it?
Important Points
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- Instead of prayers we now have songs, and they can just be listened to regularly.
- Information can be stored within the lyrics of songs that can be interpreted to give different meanings.
- Casually listening to music is therefore rather hazardous if it's unclear what the song is about.
- The location of a song on an album is used to link it to other songs that elaborate on the hidden meaning.
- The Jewish Kabbalah is an old system said to be given to Moses on his second encounter with God.
- The Kabbalah indicates that the Jews believed that God created the Universe, not just the Earth.
- The Tarot Trumps represent the paths of the Kabbalah and appear to be accepted by God.
- The sequence of the Tarot cards follows a figure 8 pattern that matches cards up in pairs.
- That sequence is applied to the order of tracks on a musical album starting at '10', the Ten Signal.
- The songs on an album can therefore be matched to Tarot cards, with a second card confirming the attribution.
- The cards indicate the meaning of the songs, while the songs indicate the meaning of the cards.
- As evidence the song 'Inside' by Stiltskin was shown to represent the Nagasaki Atomic Bomb.
- As further evidence the album 'Now 28' CD1 was shown to elaborate on this to the point of indicating Japan.
- It is thought that the bomber was redirected for the sake of revenge for the 26 martyrs of Nagasaki earlier.
- It is clear that God responds slowly. Time was taken to move people in and out of Nagasaki.
- Sir Paul McCartney's songs are indicated with respect to the 1966 'accident' so that good ones can be chosen.
- The 'Now 28' CD1 is very disturbing. A God in action brutally choosing Nagasaki instead of Kokura.
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